31.3.10

MARZO QUE SE VA.

29.3.10

SUSAN HOWE

                                                                         


              airport
                                                                          


              8:45 am     fog




.

27.3.10

MANGO CON UN OJO VIENDO


(Creía que no me iba a dar cuenta).

26.3.10

LITTLE MAN

Fotografía realizada por Giganta.

25.3.10

GATO EN ESTADO BETA


Alerta/Trabajando. Se define en 14-32 ciclos por segundo.

23.3.10

HIGUERA


Ficus Carica sobre la loma.

20.3.10

LOVE / BETWEEN CLARK AND HILLDALE




What is happening and how have you been
gotta go but I'll see you again
And oh, the music is so loud
And then I fade into the...

 Crowds of people standing everywhere
'Cross the street I'm at this laugh affair
And here they always play my songs
And me, I wonder if it's...

 Wrong or right they come here just the same
Telling everyone about their games
And if you think it obsolete
Then you go back across the street
Yeah, street, hey hey

 When I leave now don't you weep for me
I'll be back, just save a seat for me
But if you just can't make the room
Look up and see me on the...

Moon's a common scene around my town
Here where everyone is painted brown
And if we feel that's not the way
Let's go paint everybody gray
Yeah, gray, yeah

16.3.10

PETER KUPER


Diario de Oaxaca is the result of being in the right place at the "wrong" time. When I moved to Oaxaca with my wife and daughter, I wasn't looking for trouble; on the contrary, I was hoping for some escape. Escape from the United States under Bush's administration, escape from my workaholic schedule, escape from consumer culture and a ceaseless barrage of depressing news stories. A breather. A break from routine. Escape. Not that we left in a panic or this was the sole reason we moved to Oaxaca.
  In a way this trip had been percolating for nearly forty years. My father, a university professor, had his first sabbatical in 1969 and transplanted our family to Israel when I was ten -years- old. That year shook my limited world view -not that I got much better at geography, but the existence of life beyond the borders of the United States came into focus.


I didn't look to take on the job of Oaxaca reporter, but I had firsthand information about this subject and rediscovered that applying my art this way was part of my DNA as a political cartoonist.


Peter Kuper es uno de los ilustradores y cartonistas más productivos de las últimas décadas, su trabajo incluye  dibujar cómics para la revista Time y Newsweek, además de contribuir también con The New Yorker, The New York Times y Harpers,  también ha ilustrado numerosos libros, incluyendo libros para niños como Theo and the Blue Note,  por si esto fuera poco ha hecho  varias novelas gráficas entre las que destacan Stripped,  The Sistem from VertigoMinds Eye, por mencionar algunas, ahora Kuper nos trae Diario de Oaxaca,  una colección de bocetos  y entradas de diario hechos en el año en que él y su familia vivieron en Oaxaca en 2006 hasta 2007.

http://culturacomic.com/2009/11/12/peter-kuper-presenta-diario-de-oaxaca/

10.3.10

KING CRIMSON



Moonchild.

9.3.10

ARROLLANDO CÓDIGOS

Mega-gariboleos: Una cosa así, como las costuras de la ropa. Una cosa así como puro hilo negro en las orillas. Algo pegadito, cerca a lo finito, cerca. Digamos que neobarrocos. Casi espinas no dorsales. Cardos.

8.3.10

CONTRA LO ORDINARIO


Nadie ha podido demostrar hasta ahora
     de manera fehaciente
que los pequeños deseos
son más fáciles de conseguir que los grandes.
Sólo se ha podido demostrar
    de manera fehaciente
que son más numerosos.


Cristina Peri Rossi,
Estrategias del deseo, p. 31

2.3.10

GALLINA VOLTEADA

 
Da un click aquí abajo:

 Diseño, ilustración, imagen, artes visuales.
Daniel Aguilar Ruvalcaba & Gallina Volteada,
lo traen para ti.

Asómate y disfruta

1.3.10

EN TIJUANOSTRA